Thursday, March 29, 2012

MADONNA DAVIDOFF: Art is a Matter of Relevance

BY MARIVIR MONTEBON

Mention Madonna, and almost always the images of the lady Mary, mother of Jesus Christ, or the pop entertainer who is also referred to as the mother of reinvention (like a virgin, material girl, and all that stuff) strike the mind.

But comes now another Madonna, a Filipino, Swiss, and American rolled into one whose artistry have become pervasive in three continents with a stroke of a paint brush or a pencil.

“Art is a matter of relevance,” says Maria Madonna Angeles-Davidoff, the citizen of the world. She was born in the Philippines and has lived in Switzerland, Singapore, and New York City as a visual artist. For more than 30 years, Madonna has evolved into a sought-after illustrator, book cover designer, and graphic artist.

As she takes time to put down her paint brush, she performs her mother role to only daughter Bianca Marmy and wife to Bart Davidoff. Bianca just finished her International Studies at the Ecole Catholique in Paris and also at the The College in New Jersey.  These days, the Davidoff home is in New Jersey.  But Madonna takes special sanctuary in Bali, Indonesia for her artistic streaks.

In this time of global recession, the artist's ability to survive is tested. "Life in the US has become more and more challenging. You just have to continue being relevant these days, while being yourself. Any artist would feel the pangs of economic times.  I continue to get book projects, and I believe it is track record, and being lucky too," she quips.

Madonna is up for three art exhibits this year in New York and a book project before the year closes. On April 21, she will hold an art exhibit at the Yippie Museum on Bleecker Street, Lower Manhattan.

Way back in the late 1980s, Madonna and her parents decided to live in the US. She designed her life to be the artist that is she, working as freelance that earned her own keep and enhanced her own artistic distinction.  She shares a studio with other artists in Manhattan, where she works undisturbed.

The artistry of Madonna is distinctive in her colorful and comical rendering of nature, people, and still life.  Almost always, this artist naturally reflects her happy soul and can be seen in the icon Marilyn, the young meditative girl at the Central Park, or Barack, the jubilant African boy.

“My motivation in creating works of art stems from my enjoyment in expressing myself and exposure to different cultures continues to inspire me in so many ways. I have acquired a more global perspective on the symbols and images in art,” Madonna writes in her portfolio.

The youngest in the brood of 4, she studied graphic arts at the University of the Philippines and batik painting in Bali.

Madonna regards herself as a multicultural artist and has expressed that in her art form.  Her mix media “Scroll” series, for example is a reflection of her nomadic nature as an artist constantly on the move.

She says, “Having lived in three continents, I have this sense of displacement. I never really belong anywhere, and so I try to create my own cultural space wherever I find myself. It is a way for me as an artist to make sense of things around me. The scrolls make perfect sense since these banner-like images are "transportable" just like myself. The scrolls can easily be rolled up and carried around and like myself, could be reinvented, able to adapt and survive.”

She didn’t just survive, she shone in the three continents. Clients like Crane Publishing, Markus Wiener Publishers, Africa World Press, Alemars Publishing House, Bridge International Publishing, Van Nostrand, Republic National Bank, NYNEX, and Asia Lifestyle Magazine have applauded her works of art in book cover and illustrations and thus solidified her name as an artist.

In the summer of 2010, among the pleasant surprises she got was being featured by the New York Times while she was painting at the Turtle Pond at Central Park. Titled Summer Rituals, Painting in the Park, it was in that instance the NY Times photographer and writer caught her artistry into their own.

The gleeful rendering of Madonna’s art expresses the diversity and universality of her themes.  “I've also come to realize that symbols and icons all over the world speak of the universal themes of fear, joy, hope, pain, and celebration. I believe that we are one collective eye sharing a single planet.”

[gallery]

TOP NOTCH LADY TAKES BORACAY

When life is too grinding, going to Boracay Island for a break is perhaps the wisest decision to make. That is just what top notch million dollar sales achiever Petite Abella-Maglasang does.

As one of the top tourist destinations of the world, Boracay must be in one’s bucket list.  This western Visayan island in the Philippines is simply heaven, especially for Petite. The greatest challenge for a fulltime financial adviser like her is to be able to sell a bright future to her clients by securing their incomes. “I am selling hopes and dreams, not tangible products. Hence, it is a different kind of marketing pitch which is really challenging.”

Petite’s profession is enough to put anyone up on her toes all the time to meet her target sales.  But she is hard working, charming, disarming, the recipe that is needed to get to the top.

While reaping her achievements as divisional rookie sales agent in 2010 and a million dollar round table awardee, the most prestigious award that the leading Philippine insurance company could give, Petite believes Boracay is the best place where she could reward herself with complete relaxation.

“I deserve this beautiful break in Boracay.  The scenery and food are great here,” she beams.

Nobody can dispute her. All throughout the year, local and foreign guests visit the island like a pilgrimage of sorts.

Its powdery white sand beach which stretches four kilometers, is simply exhilarating. Boracay’s world-famous cool sand is composed of billions of crashed corals that have built up in the shores of the island, hence no matter how fiercely the tropical sun shines, your feet will continue to feel the cool sand.

From Boracay, one can see the magnificent sun rising and setting all throughout the year. It simply is magnificent. Petite feels like she has touched based with her soul when in Boracay, “I will come back here over and over again.”

Tuesday, March 27, 2012

Welcome!

Hello Awesome!

At last, OSM! is here, the e-zine for awesome global citizens.

Like any other media project demanding upbeat creativity, it took quite a while to come up with the name of the magazine about remarkable global citizens. OSM! is all about positive things in life, purposively creative and orchestrated by talented and well-meaning individuals who believe in themselves in effecting meaningful changes in their communities or countries.

I am in a team of equally excited and amazing individuals. Foremost is my editor/daughter, Leani Auxilio, who sits as content and digital editor. It was from her that I learned that these days you say OSM when you mean awesome. With her at the helm of the digital magic is webmaster Freddy Panes, who is based in Philadelphia.

We have Clueless Mom writer, and also a bit of a clueless mom herself, learning day by day the tasks of motherhood, Emma Migrino who is based in New Jersey. Kitty Ezra is in the matters of cooking healthy and good food, from Chicago. Delightful food is on Kit’s Kitchen.

From Missouri, we shall be reading from the notes of psychotherapist Debbie Almocera in Cranial Corner.

Finally, there is Marlon Corvera, in high fashion. We celebrate spring with his classy artistry in the Marlonissimo section.

Our maiden issue is graced by Merly Barrete Barlaan who is a really good friend that we call each other twin. She has spent her young adult years to community service that works side by side with the United Nations. She however thinks outside the box of the UN, preferring to be directly involved with real projects than just talks and conferences.

OSM! promises to be fun and stylish and keeping balance with sensible, responsible substance. So read on, dear global citizens!

OSM! is all about you and the great things you do.

Awed,

Marivir Montebon
Executive Editor

WOMEN INTERRUPTED

BY MARIVIR R. MONTEBON

art by Madonna Davidoff


(This article is condensed from the original manuscript of the author that was presented at the University of Alberta in Alberta, Canada in time for the conference on Women writing and reading history in May 2007).


     It must have been easy and fun in pre-colonial times in the country we now know as the Philippines.


     Before the Philippines became a Spanish colony for 300 years, women shared equal rights, power and privileges with men.


     They could court the men and adultery was tolerated as it was seen purely in the context of sexual gratification. There was divorce and abortion before the Spanish colonizers came to Philippine shores. All these stood on the rationale that provided for equal rights.


    At that time too, women and men were literate and knew their ancient alphabet, known as alibata, and pass this on to their next generation.


    But things changed upon the onset of Spanish colonization.


                                                            The Indigenous Woman


     It was through her lullaby that the communities of old remembered how life was before the Westerners set foot in the islands we now collectively call the Philippines.


     The Sugbuana in the Visayan tribes held a high sense of self-respect and authority and enjoyed equal rights and privileges as men did.


      Literacy among women in the precolonial times was high. Their tales, lullabies, songs, prayers, myths, epics, and sacred hymns were their tales of molding minds and nurturing the communities' memories and values.


     In the olden days, the native women had a strong sense of beauty, cleanliness, and sweetness that were associated with innate sensitivity to nature.


     Most early Visayan societies regarded the frontal profile of flat forehead and flat nose as beautiful.  Women binded their babies' heads to shape that flattened profile.


     They were keen about hygiene and often bathed in rivers.  They also did this immediately after giving birth and immersed their newly born infants into the water.


    Sunset is the most common time for bathing, usually after work, in order to cool off.  They washed their hair with gogo shampoo with sesame oil and herbs.


     They kept their teeth black and polished it with a toothbrush called sipan that is made of betel nut bark.


     The tatoo was the most honored and venerated principal attire in Visayan communities.  They made men appear dressed like a kind of handsome armor while women had their hands and arms tattooed with very intricate embroidery.  Because of these tattoos, the Spaniards called the natives Pintados.


     The men wore g-string to cover their genitals while women wore a blanket called the balikuskus which they tied at one side.


                                                            Gender Rights


    The indigenous women took pride in choosing their husbands or lovers.  Flirting with a man was as easy as offering the sipan or toothbrush while bathing or exchanging a partially chewed betel nut to the man.


     Dr. Jose Rizal noted that the native women were promiscuous and attributed this to their sincerity to obey nature and their instincts.  He said this behavior was guided by a religious belief that a glorified lover is necessary to aid her in the next life, to hold her as she would cross a very narrow piece of timber to reach the glory of Heaven.


     Customary law also did not consider adultery a crime.  When a wife commits adultery, the husband simply took it as gratification and pleasure. Sex was the only manner by which she settled it with him.


     The natives saw nothing sinful in the act of sex.  It is a natural instinct that has to be satisfied. Women had the complete control of their bodies.


     When married, they retained their names.  In cases when the woman was especially distinguished, it was the husband who usually took their names. It was not surprising to hear people referring to the husband of Isya or the husband of Ines.


     Giving names to her children was also part of her privilege.


     The precolonial wife was treated as a companion, not as a slave. She enjoyed freedom in making decisions in the family. She had a say in having children, For this reason, they practiced abortion after having the desired number of children.


     Customary practice allowed divorce because of childlessness, infidelity, and failure to fulfill obligations.  During divorce, the bride's family had to return the dowry to the husband's family if she was at fault.  If it was the husband's fault, he lost any right of its return.


     The children were equally divided between the two parents regardless of sex. Conjugally acquired property was also divided equally.


                                                Economic and political power


      Women were particularly involved in farming, produced woven cloth and engaged in pottery.  They decided in the schemes of agriculture, from planting and harvesting to table food preparation.


     While men cleared the fields, hunted, and fished, the women pounded rice, cleaned and prepared it for cooking, and raised chicken and pigs.


     They were excellent in weaving textiles and molding pots.  Weaving was known to be the past time of royal women.


     The babaylan were the figure of education in the indigenous communities.  The Spanish chroniclers noted that they were much more proficient than men in writing the ancient alphabet or the alibata.


     They were also highly esteemed as religious leaders, preferred in the performance of healing, counseling, or mediating in the tribe.


     If a male performed the religious office of a babaylan, he had to dress like a woman.


     The Spanish chroniclers said the babaylan were adept in supplying consonants or vowels in reading letters with superior knack and without stumbling or mumbling as they read the letters.


     The Spanish missionaries regarded the native rituals as satanic and succeeded in introducing western alphabet.  Thus, the 17 letter alibata was eclipsed by the 26 letter Roman alphabet brought in by the Spaniards.


     Life has changed upon the onset of colonization.


                        Weak and Meek during the Spanish Colonial Period


     A new expression of femininity took shape when the archipelago was under Spanish influence.


     Dr. Phoebe Sanchez said stereotyping of women's roles in the home began when the Spaniards established the feudal economy in the archipelago for four centuries.


     Babayeng buhat (woman's work) was defined, and placed a line between what a man can do and what a woman can only do. The Spaniards were responsible for shaping the macho and strong image of men and the mahinhin (soft) image for women.


     Among the rules which the indigenous woman had to follow was keeping her chastity until marriage, staying at home doing house chores, conducting herself in accordance to the wishes of her family, and upon marriage, her husband.


    Massive religious indoctrination took the form of repeated and regular recitation of prayers when the Spanish school system was established in 1863 in Cebu.  As a result of the formal instruction, the Catholic religion was embraced by many natives, hence called Indios and later Filipinos, in the absence of a fully understood faith.


    Catholicism alienated the Filipinos from their previously held tribal orientation on animism, kinship, and oneness with nature.


     The Spanish missionaries taught that women were perpetual threats to men more than the enemies in war.  The once respected babaylan were ostracized and dismissed as witches or minions of the devil.


     The Christianized Cebuana was molded to become the perfect homemaker, stereotyping on virginity, exemplary motherhood, and muted martyrdom.  Subconsciously, the women were to suffer in patience, silence, and prayer.


     Even the practice of courtship as the sole prerogative of men was a Spanish influence. Women were condemned if they were the first to express their love or affection for men.


                         Personality Twist in the American Colonial Period


     While education may be the greatest colonial legacy of America in the 1900s in the Philippines, it only consolidated the stereotyping of women's roles.


     Dr. Sanchez says, "women were educated and became mostly nurses and teachers during the American period.  This was a welcome development, because it set the opportunity for women to self-development.  Yet this is still a part of the culture of stereotypes. Nursing and teaching are extensions of women's roles in the Spanish colonial period."


     The notion of women as sex objects was heightened in the American colonial period, especially with the advent of advertising.


     While we saw during the Spanish period women wearing clothes that almost covered their faces and bodies, during the American period, they began to wear pants and skimpy skirts, and eventually just bras and bikinis to promote products of the capitalist system, says Dr. Sanchez.


     In the 1930s, more and more women were educated and fought for the right to vote.  Meantime, they who chose to court men and express their feelings of love remain unacceptable.


                                    Lingering Woes and Challenges in Globalization


     Poverty and the control of male partners linger as the woes and challenges of women in the current times.


     Half of the world is women, or 1004 women for every 1000 males.


     But women are more particularly disadvantaged, for instance, because in sugar haciendas in Cebu , they receive more meager salaries than men, despite the same number of hours rendered in the fields.


     For clearing the land, men are paid P100 while a woman is paid P80.  The reason for this, says one hacienda administrator, is that women work at a slower pace than men and should be paid less.


     At this time when the economy has increasingly become global, women continue to carry the woes and face the challenges of economic rights and welfare.


     Champions of women's rights must have significantly changed the self concept of women about themselves. But a lot has yet to be done.  These days, it is still unacceptable for women to court men and not be looked down by the majority of people.


     Empowering education continues to make women rise against economic and cultural binds.  But with the limited resources provided for by most influential governments in the world, the advocacy for women's emancipation could take a little longer.


     But they are going there, towards the realization of full development of self, towards meaningful peace and being uninterrupted to develop and bloom.



 

Pumpkin Flan



THIS WEEK'S RECIPE: PUMPKIN FLAN

Ingredients:
* 1 can condensed milk
* 1 can evaporated milk
* 1 can 15 oz pure pumpkin
* dash of pumpkin pie spice
* 1/2 c karo syrup as your caramel
* 1 round pan
* 1 rectangular or round pan bigger than your round pan

Instructions:

- Preheat oven to 350ºF
- Mix all ingredients (except Karo syrup) well and this is your flan mixture. Set aside
- In the round pan, pour Karo syrup
- Stir and combine well the flan mixture and pour into the round pan, scraping all the sides with a rubber spatula
- Place the round pan onto the rectangular pan and put water on the bigger pan just enough to reach 1/2 of the round pan. (This is what you call bake in a water bath.)
- Bake flan till golden brown on top and a knife inserted in center comes out clean, about 1 hour
- Remove dish from water bath and transfer to a rack to cool
- Chill flan overnight covered or at least 6 hours before serving

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Ruth D. Ezra is a culinary queen in her own right through experience and training. She is a bookkeeper by profession at AllState Roadside Services in Northbrook, IL. Her greatest delight is serving good and healthy food to her husband Heman and only daughter, Isabelle. Kit would love to receive feedback on her recipes, and exchange them with yours at ezraruth@comcast.net.

Mental Immigrants



Mental Immigrants

BY DEBBIE ALMOCERA

When my younger daughter moved to the United States almost 4 years ago, I remembered thinking “I finally did it!” Now both my daughters are here. The feeling of having succeeded in pursuing a personal goal that was grounded on an enormous amount of personal sacrifice was euphoric. The fact that we are in America, is a dream come true, at least for me.

The fact of the matter is that, my older daughter is already deep in the quagmire of the so-called American way of life, with a highly demanding 9 to 5 job, a mortgage, car payment, and the perennial quest for the newest technological gadget she could lay her hands on.

My younger daughter “took off running”, so to speak. She went straight to College, took a part time job, found herself a boyfriend (with no car), and unnervingly declared her highly opinionated views on “facebook”. Needless to say, it appears that my daughters’ adjustment from what I perceived as a difficult transition was in fact, as easy as uprooting an already decaying tree.

I grew up in the Philippines where terminologies such as “depression, anxiety attacks, and premenstrual syndrome”, are as foreign to me as the names of the meteorites in space. Listening to my daughters bounce these terms amongst them and their friends scares me, coming from the field from which these terms originate. I grew up thinking people become sick because they lack food to eat, or got physically hurt in some way. God forbid, if you ever have a “nervous breakdown” (a very common phrase at that time), you shall walk in your knees from the church gate to the main altar, and beg for forgiveness. For what exactly, I have no clue. Now if you happen to have Schizophrenia, a mental disorder I only fully understood when I went to graduate school in the US, you will have to stay indoors for the rest of your life, or your whole family will disown you.

I often wonder to what extent our primary culture has a grip on us, until we slowly let go, and not only assimilate to the culture we are in now, but internalize it, as if, it was always ours.

It is definitely exciting to see my girls live the kind of life I wanted for myself a long time ago. I always tell them how lucky they are, for having the opportunity to see the world early on, and to enjoy a relatively luxurious lifestyle, which I only dreamed of when I was their age. They never had to go through the kind of transition that I went through. I had to depend on friends, relatives, and sometimes strangers to get me to places, sometimes feed me, house me, and give me the inspiration to keep going, when my goals start to get blurry in my head. I remember asking myself why I am so far away from the people I care the most. There were times I wanted to give up, turn around, and drop everything I have worked hard to achieve. If there was ever a time for depression to set in, or any type of temporary psychotic episode, it would have been these times.

But I was more resilient than I thought. The very reasons why I kept going are now annoyingly whining in front of me. There has never been a more stark contrast in the transitions my daughters and I went through. I look at them and I feel proud of myself, until one of them starts complaining about a 2-pound weight gain, or being “profoundly bored and depressed."

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Debbie Almocera is a licensed therapist working in the behavioral medicine department of one of the largest hospitals in St. Louis, Missouri. For her, there has not been a more fulfilling and rewarding career than the one she has now. She can be reached at dholderle@yahoo.com

Saturday, March 17, 2012

Merly Barrete Barlaan: Leadership from the Heart

BY MARIVIR MONTEBON

[caption id="attachment_209" align="alignleft" width="300" caption="Mrs. Barlaan at the 56th Annual Commission on the Status of Women at the United Nations, New York Headquarters"][/caption]

Most of the time, the petite Merly Christina Barrete Barlaan is thinking and doing things either for her children or newly established school. Whether in the kitchen preparing food for children Hyo Won, Shin Won, Jasmine, and Lily Rose, or in her basement office doing some writing work in Elizabeth, New Jersey, she simply excels.

The key, she said, is to put your heart at what you are doing.
Motherhood is indeed a 24/7 job for Merly, but she is very much your global leader as well.
She manages to squeeze in a lot of time for her profession and passion during weekdays, being the administrative assistant of the Women’s Federation for World Peace International. The WFWPI is a non-government organization that represents concerns of women at the United Nations Economic and Social Council.

Last year, Merly, 40, bagged the most outstanding migrant award for Community Service by the DC-based Migrant Heritage Commission because of her long-term involvement with issues concerning women and her new school project which she built in her hometown village in Bohol in the Philippines.

Before she gave birth to her youngest child in 2011, Merly founded the Center for Wisdom and Character Excellence, a not-for-profit organization which she established in her hometown in Carmen, Bohol in 2010.

The CWACE is Merly’s fourth baby, which came about a year ahead of her youngest Lily, who was born to them in the sunny month of June.

Still in its formative stage, the CWACE has grown quite quickly in time. The school aims to provide high quality education to small rural children, with the philosophy of making them productive, dynamic and peace-loving global citizens.

The school kicked off with 20 young students, aged 4-6 years old, who were enrolled for free at the CWACE in 2010. Merly hired two teachers, who taught the kids the basics of reading, writing, and arithmetic. The first batch of preschoolers graduated in 2011 and was readily admitted to the public school system in the village. The kids excelled much better than the others who did not go through preschool education.
“We owe it to the kids to give them a bright future. So this little school, which I hope will graduate itself to become a full elementary and high school will be my contribution to human development,” she beams.

Merly’s academic background Education from the University of Bohol may have prodded Merly to set up a school of her own. She also has a Certificate of Philanthropy and Fundraising from the New York University.

The rigors of putting up a school are tremendous. It took her a lot of guts and determination to raise funds from her network of friends and supportive business entities in the US through charitable dinners. She also sold fashion jewelry and used clothes at flea markets to be able to buy construction and education materials for the school.

In one year, the building which houses two classrooms and a public library has stood.
But the vision doesn’t just end there. The preschool is actually just a spring board to a larger integrated goal of developing local citizens. Now in the works is the project called Highway to Overcoming Poverty Everywhere which takes a local face in her own birthplace in Montesunting.
In this project, the men and women of the village engage in agricultural and entrepreneurial activities aimed at improving their financial and economic conditions.

“We start with the resources they have, like land and water, and development small manageable enterprises. I am particularly excited about the massive production of malunggay (Moringa olifiera) and raising of chickens. This means good health and more money for the families,” she said.
Merly’s husband, Mar, is 100 percent all out for Merly in this endeavor. He is CWACE’s co-founder and pitches in babysitting the four children each time Merly has to go out of the house of her social functions at the UN or elsewhere.

Appointed as an Ambassador for Peace of the Universal Peace Federation, Merly has worked extensively with the Unification Movement Asia as a Special Assistant to the Continental Director (1993-2008), a position which entails responsibilities that extends to extends to 20 Asian countries. She is also the first Secretary-General of the International Cultural and Educational Foundation (ICEF) and Co-creator of ICEF’s signature project “iLEAD Program” – ICEF’s leadership training program for the youth.
She co-chaired and organized the Civil Society Forum for Peace and Sustainable Development, “The Role of Civil Society in Promoting Peace and Achieving the MDGs in the Philippines” on December 11, 2008 in Manila.

Her extensive experience in partnership collaboration and facilitating international conferences at the United Nations have motivated and inspired her to dedicate her time and resources to pursue humanitarian works in the areas of peace, education, and poverty eradication.

Merly looks back and attributes to three people who mentored her with the brand of leadership from the heart, two Asian women leaders Julia Kim and Motoko Sugiyama and Nora Spurgin, an American.
At the end of the day, Merly comes home tired but happily resumes to be mother and spouse. With her domestic and global roles, a peaceful sleep is simply a treat to herself.

Movie Review: The Iron Lady

The Irony of the Iron Lady

BY MARIVIR MONTEBON


Best Actress Meryl Streep convincingly became Prime Minister Margaret Thatcher with her impeccable acting in the Iron Lady (director: Phyllida Lloyd, writer: Abi Morgan), but the movie failed to give justice to the person of Thatcher, being one of the longest running political leaders and the only female prime minister (thus far) in Great Britain.

It is troubling for the Iron Lady to be woven in the theme of Thatcher’s old age, with an opening scene of the former prime minister leaving her house unnoticed to get a pint of milk in a nearby deli. It ended showing the worn-out Thatcher with a degenerative disease in bouts of confusion, swinging from hallucination to reality, that naturally happens as one gets old.

Although Streep’s acting was superb and all the technical aspects of the movie were masterful, what apparently became central in the movie was on how to deal with an old woman and melancholy. We are looking at the life of a woman Prime Minister here.

Margaret Thatcher is larger than life.  The movie centered on her age, she being old, useless, wasted, and using her flashes of remembrance to lead us to the past on how she had been admired, and hated as a political leader.  All throughout the film, it seemed I was hearing my grandmother being troubled by her angst. Where is the voice of the iron woman telling us her no non-sense leadership and character in the troubled times of Great Britain?

I expected to see something more dignified in the movie. Who honed Thatcher to become the beautiful and feisty woman that she is? She was an odd ball in her time, not the typical woman who found joy in washing dishes and taking care of children.

She was meant to be a leader. Who mentored her and how? These were clearly absent from the story and could have made it more inspiring.

Her brand of leadership, in the midst of the male-dominated Parliament, and her legacy, regardless of ideology, should have been made emphasis in the movie.

The Iron Lady was poignant and dramatic. It reminded us of an old woman’s loneliness and longing for things she had failed to do more like spending time with her husband and children, more than being political. That in itself was the irony of its title. It failed to impart the lessons of an iron leadership, how a woman rose to power and declined in time.

As it is election year in the US, perhaps the writer wanted to remind politicians to take it easy on their politics, because when they grow old, it would still be family that matters. I am trying to justify the theme. But nah, forget it, Prime Minister Margaret Thatcher deserves more in this movie.

UN: Rural Women can Save the World Economy

BY LEANI M. AUXILIO

UN CHURCH CENTER, NY— In an audience comprised of men and women from Ghana, Sweden, Zambia, Taiwan, Korea, and countless other countries, the Sound Essence Project Founder Ms. Susan Bradbury told a story of how a group of women in a rural town in Mongolia had the excellent idea of opening a bakery to support their village. The Sound Essence Project helped them raise funds, and with just $500, they built their bakery. In time the bakery paid off the $500 (with $5 interest), and not only were they such a massive hit in their village that they had to build yet another one, they also managed to raise funds to send 20 children to college, and essentially save their village from economic ruin.

On February 27, 2012, the Sound Essence Project, the Women’s Federation for World Peace International (WFWPI), and the Center for Wisdom and Character Excellence, Philippines (CWACE) co-sponsored a parallel event in coordination with the 56th annual Commission on the Status of Women.

The event Growing Sustainable Projects in Rural Communities, Women to Women was moderated by UN/WFWP International Representative Ms. Bonnie Berry, and featured panelists who worked with rural towns in Mongolia, Haiti, the Philippines, and Cameroon. These panelists let an equally diverse audience learn firsthand how they partnered in rural communities and made a difference through hands-on and practical grassroots work.

First panel speaker Ms. Susan Bradbury of the Sound Essence Project talked about dreams, trust, people working across boundaries, courage, and respect as the five key principles needed in designing sustainable projects for rural women.

Ms. Evelyne Drake, coordinator of WFWP-USA’s Relief Project for Haiti, discussed about how the Relief Project has been providing Haiti with relevant activities and projects such as health education seminars, planting Moringa trees, and building schools since 2008. When the 2010 earthquake hit Haiti, Ms. Drake met up with Cap-Haitian government officials, and along with other WFWP members, gave medical aid and relief, and seminars on coping with trauma. More than a hundred and fifty thousand Haitians were in attendance.

Ms. Merly Barlaan, Center for Wisdom and Character Excellence, Philippines (CWACE) founder imparted to the audience details of CWACE’s Highway to Overcoming Poverty Everywhere (HOPE) Project. The project consists of ten phases designed to help her hometown Montesunting in Carmen, Bohol become an environment-friendly major tourist spot, and generate sources of income for the villagers. She has since built a school, library, computer learning center, and has spearheaded other projects such as the planting of Moringa trees, launching of family vegetable gardens, and planting for a botanical garden and orchid sanctuary. A multi-purpose visitor center and Bed and Breakfast Cottage are slotted to open by April 2012.  (See Main Feature on Merly Barlaan).

Dr. Nessie Ndive-Hill, professor at Essex Community College talked about the problems faced by the rural women of her native Cameroon, and proposed teaching better preservation strategies of main crops such as cassava, and other tubers, to the women who do much of the farming and harvesting. She advocates employing environmentally-safe preservations techniques. As a last remark before Q and A began, she has notably said “Rural women have demonstrated that they can sustain an economy even in the midst of global crisis.” It seemed a fitting closing remark, as it encapsulated the trials, hard work, triumphs, and every underplayed contribution of each and every rural woman to the world.


The 56th session of the Commission on the Status of Women will run through 27 February 2012 until 9 March 2012 at the United Nations Headquarters in New York. This year’s theme is “The empowerment of rural women and their role in poverty and hunger eradication, development and current challenges.” For more information, visit the website: http://www.un.org/womenwatch/daw/csw/56sess.htm 

Leani M. Auxilio is a New Media Technology student at LaGuardia Community College in New York. She is the digital and content editor for OSM!. Her interests are anime, manga, the mysteries of the world, and sleeping in during the weekends. She is a proud bookworm, left-handed, and can get hyper if fed more than two chocolate bars at a time.

Leani can be reached at leaniauxilio@gmail.com

Kirby Asunto: On the Way to Int'l Stardom!

BY MARIVIR MONTEBON

Maria Kirby Asunto is well-known in the Filipino-American circles in the East Coast. She is a rising star, a promising young voice who needs just a little bit more of promoting and relentless polishing of artistry to reach perfection.

Singing the Philippine national anthem may be her biggest ticket to international status, as the much-awaited fight of international welterweight champ Manny Pacquiao between Timothy Bradley takes place at the MGM Grand Garden in Las Vegas on June 9.  After all, she was personally chosen by the champ Pacquiao himself.

On Facebook, 14-year-old Kirby is your typical teenager who writes just about any thing going on with her daily routine – coming home tired from a long trip, asking for well wishes on her singing auditions, and ah, waiting in excitement for her new braces.

But this young girl, who is enrolled at the McManus Middle School in Linden, New Jersey, has big dreams, and is creating her name as a singer and performer in New York and the neighboring states.                 She has performed in major Filipino-American events in New York, New Jersey, Connecticut, Pennsylvania and the US capital region with her mother, Shirley Asunto, ever supportive of her budding career.
Kirby had won major awards and recognitions, like First Place at the Regional and National Competition at Access Broadway in Groton, Connecticut, Grand Champion at the Philippine American Idol Competition (Philippines Fiesta, Secaucus, NJ) and New Rising Star at the 2010 Kollaboration DC (Washington, DC).
                She was also the featured rising star performer for the 2010 Migrant Heritage Commission’s (MHC) Annual People’s Ball, the biggest Fil-Am Community Gala in Washington DC and Asia Heritage Foundation’s Fiesta Asia, considered the biggest Asian street Festival in the U.S. capital.

Kirby also performed for Philippine President Nonoy Aquino’s 2010 Proclamation Inauguration Ball in Manila and Arnel Pineda’s Atlantic City Concert as the front act.

Kirby performed as Special Guest of the Rising Young Stars Competition at the MHC’s 2010 International Migrant Heritage Festival in Metropolitan Washington D.C.

She trained vocally under Corazon Demaano Samonte in the Philippines. In the US, Kirby goes to Catherine Kuenzel and Bituin D. Escarcha for voice coaching and dance lessons with Miguel Braganza.

In December 2010, she held her first solo Christmas show, dubbed as “Pasko sa Payag” at the Payag Restaurant in Queens, New York.

“I want to be a professional singer and work with some famous people in the Philippines and the US, especially Hollywood. I also want to be like the big stars who are helping people in Haiti and other countries in need,” she quipped.
Kirby started showing her extraordinary singing talent at age two. Upon discovering her singing voice, her parents have since then encouraged her to join in musical plays, special events and competitions.

Mom Shirley (whose roots are from Davao and Leyte) always reminds her to balance her singing with studies.  “I tell her she needs to be educated so that she will not be fooled by ways of the world. I am here to protect her, first and foremost and I want her to be a respected singer someday.”

Like in her previous performances, Kirby’s sweet rendering of the Lupang Hinirang may send in the goose bumps for all those who hear it live at the MGM Grand or on the ‘tube.